G.K. Chesterton from his autobiography:
“… I invented a rudimentary and makeshift mystical theory of my own. It was substantially this; that even mere existence, reduced to its most primary limits, was extraordinary enough to be exciting. Anything was magnificent as compared with nothing… At the backs of our brains, so to speak, there was a forgotten blaze or burst of astonishment at our own existence. The object of the artistic and spiritual life was to dig for this submerged sunrise of wonder; so that a man sitting in a chair might suddenly understand that he was actually alive, and be happy…
Euglena rostrifera (Protozoan) from https://www.microscopyu.com/galleries/dic-phase-contrast/pond-life
“If I were to ask myself where and when I have been happiest, I could of course give the obvious answers, as true of me as of everybody else; at some dance or feast of the romantic time of life; at some juvenile triumph of debate; at some sight of beautiful things in strange lands. But it is much more important to remember that I have been intensely and imaginatively happy in the queerest because the quietest places. I have been filled with life from within in a cold waiting-room in a deserted railway junction. I have been completely alive sitting on an iron seat under an ugly lamp-post at a third-rate watering place. In short, I have experienced the mere excitement of existence in places that would commonly be called as dull as ditch-water. And by the way, is ditch-water dull? Naturalists with microscopes have told me that it teems with quiet fun. Even that proverbial phrase will prove that we cannot always trust what is proverbial, when it professes to describe what is prosaic. I doubt whether the fifteen gushing fountains to be found in your ornamental garden contain creatures so amusing as those the miscroscope reveals; like the profiles of politicians in caricature. And that is only one example out of a thousand, of the things in daily life we call dull that are not really so dull after all. And I am confident that there is no future for the modern world, unless it can understand that it has not merely to seek what is more and more exciting, but rather the yet more exciting business of discovering the excitement in things that are called dull.”
~G.K. Chesterton, “What is Right With the World” from
Nelson’s Column, Trafalgar Square, London
“Facts,” murmured Basil, like one mentioning some strange, far-off animals, “how facts obscure the truth. I may be silly—in fact, I’m off my head—but I never could believe in that man—what’s his name, in those capital stories?—Sherlock Holmes. Every detail points to something, certainly; but generally to the wrong thing. Facts point in all directions, it seems to me, like the thousands of twigs on a tree. It’s only the life of the tree that has unity and goes up—only the green blood that springs, like a fountain, at the stars.”
“The Tremendous Adventures of Major Brown” from The Club of Queer Trades
by G.K. Chesterton
Audio version here.
Rabelais, or his wild illustrator Gustave Dore, must have had something to do with the designing of the things called flats in England and America. There is something entirely Gargantuan in the idea of economising space by piling houses on top of each other, front doors and all. And in the chaos and complexity of those perpendicular streets anything may dwell or happen, and it is in one of them, I believe, that the inquirer may find the offices of the Club of Queer Trades. It may be thought at the first glance that the name would attract and startle the passer-by, but nothing attracts or startles in these dim immense hives. The passer-by is only looking for his own melancholy destination, the Montenegro Shipping Agency or the London office of the Rutland Sentinel, and passes through the twilight passages as one passes through the twilight corridors of a dream. If the Thugs set up a Strangers’ Assassination Company in one of the great buildings in Norfolk Street, and sent in a mild man in spectacles to answer inquiries, no inquiries would be made. And the Club of Queer Trades reigns in a great edifice hidden like a fossil in a mighty cliff of fossils.
“No man’s really any good till he knows how bad he is, or might be…” ~Father Brown
“The Secret of Father Brown” by G.K. Chesterton
(Click here for an excellent Audible version)
“Flambeau, once the most famous criminal in France and later a very private detective in England, had long retired from both professions. Some say a career of crime had left him with too many scruples for a career of detection. Anyhow, after a life of romantic escapes and tricks of evasion, he had ended at what some might consider an appropriate address: in a castle in Spain. The castle, however, was solid though relatively small; and the black vineyard and green stripes of kitchen garden covered a respectable square on the brown hillside. For Flambeau, after all his violent adventures, still possessed what is possessed by so many Latins, what is absent (for instance) in so many Americans, the energy to retire. It can be seen in many a large hotel-proprietor whose one ambition is to be a small peasant. It can be seen in many a French provincial shopkeeper, who pauses at the moment when he might develop into a detestable millionaire and buy a street of shops, to fall back quietly and comfortably on domesticity and dominoes. Flambeau had casually and almost abruptly fallen in love with a Spanish Lady, married and brought up a large family on a Spanish estate, without displaying any apparent desire to stray again beyond its borders. But on one particular morning he was observed by his family to be unusually restless and excited; and he outran the little boys and descended the greater part of the long mountain slope to meet the visitor who was coming across the valley; even when the visitor was still a black dot in the distance.
“A Second Childhood”
-G.K. Chesterton, The Collected Poems of G.K. Chesterton
Click here for an audio version.
When all my days are ending
And I have no song to sing,
I think that I shall not be too old
To stare at everything;
As I stared once at a nursery door
Or a tall tree and a swing.
“Men may keep a sort of level of good, but no man has ever been able to keep on one level of evil. That road goes down and down.” ~ Father Brown
“The Flying Stars” by G.K. Chesterton, Published on May 20, 1911
Audio version here: “The Flying Stars” read by Bart Wolffe
“The most beautiful crime I ever committed,” Flambeau would say in his highly moral old age, “was also, by a singular coincidence, my last. It was committed at Christmas. As an artist I had always attempted to provide crimes suitable to the special season or landscapes in which I found myself, choosing this or that terrace or garden for a catastrophe, as if for a statuary group. Thus squires should be swindled in long rooms panelled with oak; while Jews, on the other hand, should rather find themselves unexpectedly penniless among the lights and screens of the Cafe Riche. Thus, in England, if I wished to relieve a dean of his riches (which is not so easy as you might suppose), I wished to frame him, if I make myself clear, in the green lawns and grey towers of some cathedral town. Similarly, in France, when I had got money out of a rich and wicked peasant (which is almost impossible), it gratified me to get his indignant head relieved against a grey line of clipped poplars, and those solemn plains of Gaul over which broods the mighty spirit of Millet.
“There is something not only imaginative but intimately true about the idea of the goblins being below the house and capable of besieging it from the cellars. When the evil things besieging us do appear, they do not appear outside but inside.” ~G.K. Chesterton, 1924
G.K. Chesterton on one of his favorite authors, George MacDonald. This piece was written as an introduction to George MacDonald and His Wife, by Greville M. MacDonald (MacDonald’s son).
Chesterton: “Certain magazines have symposiums (I will call them ‘symposia’ if I am allowed to call the two separate South Kensington collections ‘musea’) in which persons are asked to name ‘Books that have Influenced Me’, on the lines of ‘Hymns that have Helped Me’. It is not a very realistic process as a rule, for our minds are mostly a vast uncatalogued library; and for a man to be photographed with one of the books in his hand generally means at best that he has chosen at random, and at worst that he is posing for effect. But in a certain rather special sense I for one can really testify to a book that has made a difference to my whole existence, which helped me to see things in a certain way from the start; a vision of things which even so real a revolution as a change of religious allegiance has substantially only crowned and confirmed. Of all the stories I have read, including even all the novels of the same novelist, it remains the most real, the most realistic, in the exact sense of the phrase the most like life. It is called The Princess and the Goblin, and is by George MacDonald, the man who is the subject of this book.