Arthur Rackham, Peter Pan
“Man, the central pillar of the world must be upright and straight; around him all the trees and beasts and elements and devils may crook and curl like smoke if they choose. All really imaginative literature is only the contrast between the weird curves of Nature and the straightness of the soul.”
(Originally appeared in The Daily News, Oct. 16, 1909, and in Alarms and Discursions, NY: Dodd, Mead. 1911)
A SUNSET of copper and gold had just broken down and gone to pieces in the west, and grey colours were crawling over everything in earth and heaven; also a wind was growing, a wind that laid a cold finger upon flesh and spirit. The bushes at the back of my garden began to whisper like conspirators; and then to wave like wild hands in signal. I was trying to read by the last light that died on the lawn a long poem of the decadent period, a poem about the old gods of Babylon and Egypt, about their blazing and obscene temples, their cruel and colossal faces.
Detail from W. Blake’s “Behemoth and Leviathan”
“Job’s friends attempt to comfort him with philosophical optimism, like the intellectuals of the eighteenth century. Job tries to comfort himself with philosophical pessimism like the intellectuals of the nineteenth century. But God comforts Job with indecipherable mystery, and for the first time Job is comforted.”
“Leviathon and the Hook” by G.K. Chesterton
— The Speaker, September 9, 1905
A review of “The Original Poem of Job” – Translated from the Restored Text by E. T. Dillon
Chesterton: “Because man is a spirit and unfathomable the past is really as startling and incalculable as the future. The dead men are as active and dramatic as the men unborn; we know decisively that the men unborn will be men; and we cannot decisively know anything more about the dead. It is not merely true that Nero may have been misunderstood; he must have been misunderstood, for no man can understand another. Hence to dive into any very ancient human work is to dive into a bottomless sea, and the man who seeks old things will be always finding new things. Centuries hence the world will be still seeking for the secret of Job, which is, indeed, in a sense the secret of everything. It is no disrespect to such able and interesting works as Professor Dillon’s to say that they are only stages in an essentially endless process, the proper appreciation of one of the inexhaustible religious classics. None of them says the last word on Job, for the last word could only be said on the Last Day. For a great poem like Job is in this respect like life itself. The explanations are popular for a month or popular for a century. But they all fall. The unexplained thing is popular for ever. There are weaknesses in the Higher Criticism, as a general phenomenon, which are only gradually unfolding themselves. There are more defects or difficulties than would at first appear in the scientific treatment of Scripture. But after all the greatest defect in the scientific treatment of Scripture is simply that it is scientific. The professor of the Higher Criticism is never tired of declaring that he is detached, that he is disinterested, that he is concerned only with the facts, that he is applying to religious books the unbending methods which are employed by men of science towards the physical order. If what he says of himself is true, he must be totally unfitted to criticize any books whatever.
“The Conversion of an Anarchist”
~a short story by G.K. Chesterton
LADY JOAN GARNET had eyebrows long before she had any hair; and a cock of the eyebrow from which the wisest and oldest nurses in the family deduced that she would marry the wrong man. Perhaps she did; those who read this tale must decide the point for themselves. (For however that may be) some twenty-three years afterwards, when Lady Joan had plenty of hair, almost too much in fact, and of a heavy bronze tint, she still had the distinct and defiant eyebrow darker in color and as it were disconnected from the rest of her face But though she ran to eyebrow, she did not look supercilious; only rather cross.
“Remember always there is one thing that cannot be endured by anybody or anything. That one unendurable thing is to be overworked and also neglected.”
“The Angry Street”
by G. K. Chesterton
“I cannot remember whether this tale is true or not. If I read it through very carefully I have a suspicion that I should come to the conclusion that it is not. But, unfortunately, I cannot read it through very carefully because, you see, it is not written yet. The image and idea of it clung to me through a great part of my boyhood; I may have dreamt it before I could talk; or told it to myself before I could read; or read it before I could remember. On the whole, however, I am certain that I did not read it. For children have very clear memories about things like that; and of the books of which I was really fond I can still remember not only the shape and bulk and binding, but even the position of the printed words on many of the pages. On the whole, I incline to the opinion that it happened to me before I was born.
G.K. Chesterton from his autobiography:
“… I invented a rudimentary and makeshift mystical theory of my own. It was substantially this; that even mere existence, reduced to its most primary limits, was extraordinary enough to be exciting. Anything was magnificent as compared with nothing… At the backs of our brains, so to speak, there was a forgotten blaze or burst of astonishment at our own existence. The object of the artistic and spiritual life was to dig for this submerged sunrise of wonder; so that a man sitting in a chair might suddenly understand that he was actually alive, and be happy…
Nelson’s Column, Trafalgar Square, London
“Facts,” murmured Basil, like one mentioning some strange, far-off animals, “how facts obscure the truth. I may be silly—in fact, I’m off my head—but I never could believe in that man—what’s his name, in those capital stories?—Sherlock Holmes. Every detail points to something, certainly; but generally to the wrong thing. Facts point in all directions, it seems to me, like the thousands of twigs on a tree. It’s only the life of the tree that has unity and goes up—only the green blood that springs, like a fountain, at the stars.”
“The Tremendous Adventures of Major Brown” from The Club of Queer Trades
by G.K. Chesterton
Audio version here.
Rabelais, or his wild illustrator Gustave Dore, must have had something to do with the designing of the things called flats in England and America. There is something entirely Gargantuan in the idea of economising space by piling houses on top of each other, front doors and all. And in the chaos and complexity of those perpendicular streets anything may dwell or happen, and it is in one of them, I believe, that the inquirer may find the offices of the Club of Queer Trades. It may be thought at the first glance that the name would attract and startle the passer-by, but nothing attracts or startles in these dim immense hives. The passer-by is only looking for his own melancholy destination, the Montenegro Shipping Agency or the London office of the Rutland Sentinel, and passes through the twilight passages as one passes through the twilight corridors of a dream. If the Thugs set up a Strangers’ Assassination Company in one of the great buildings in Norfolk Street, and sent in a mild man in spectacles to answer inquiries, no inquiries would be made. And the Club of Queer Trades reigns in a great edifice hidden like a fossil in a mighty cliff of fossils.